Copenhagen’s 14 best interior shops for design-lovers

Blue-and-white porcelain could have been left to the cabinet, but Royal Copenhagen’s 2024 flagship redesign gives it a sharper frame. At Amagertorv, where the porcelain house has been since 1911, Mentze Ottenstein reworked the historic Renaissance building into a gallery-like shop that nods to earlier interiors without turning heritage into costume. Founded in 1775, the brand still has the full old-world weight: Flora Danica, Blue Fluted Plain, figurines and newer hand-painted pieces, now shown in rooms where scale and brushwork are easier to read. Go upstairs and look closely: this is tableware as craft, status, domestic habit and Danish theatre all at once.

Press the bell and leave the shop-floor reflex at the door. In central Copenhagen, Tadaima has reopened inside a nineteenth-century apartment, which suits Hanne Berzant, Josefine Berzant and Emma Berzant’s eye better than a white cube ever did. The edit folds together their own collection with Fredericia, Porta Romana, Zanetto, Serax, Artemide, Stack Furniture, Lotte Hoffmann ceramics and vintage objects, all placed like a home with no interest in behaving like one. Scandinavian, Italian and Japanese references move through furniture, lighting, textiles, silverware, books and art.

Frama Studio Store is the creative headquarters of the Danish design brand Frama, located on a quiet street in the royal neighbourhood near Nyboder. The brand’s contemporary and simple designs stand in stark contrast to the traditional interiors of the old pharmacy, which dates back to 1878. In 2022, Frama added a new dimension to its multidimensional and ever-changing space, which now also houses Apotek 57, a café within the store’s walls.

Read the article on Frama Studio Store.

Rue Verte is the store for anyone who wants the whole room, not one tasteful bowl. Founded by Michala Jessen in 1994, the Copenhagen concept store, gallery and design studio occupies an eighteenth-century building in the city centre, with rooms arranged like a private home rather than product zones. The selection moves through furniture, lighting, art, objects and textiles, with names such as Christophe Delcourt, Collection Particulière, Meridiani, Ceccotti Collezioni, Faye Toogood and Overgaard & Dyrman in its design world.

Few shops make a towel feel like an architectural decision, but Tekla gets close. The Copenhagen textile brand’s first store opened in 2023 inside the 1930s Egmont building, with almost two hundred square metres shaped around bedding, towels, sleepwear and home textiles. The room follows the product line: clean, tactile and serious about colour without making sleep look sterile. Book an in-store appointment for tailored guidance, or browse the shelves for percale bedding, linen towels, robes, blankets and small care pieces.

Read the article on Tekla.

The café chairs outside can make Beau Marché look like lunch first, interiors second. That is the trick. In central Copenhagen, the shop-café hybrid has been doing French-leaning interiors since 2010, mixing vintage finds with furniture, lamps, tableware, textiles and objects from Charvet Éditions, Duralex, Tolix, Petite Friture, Pulpo and Marius Fabre. The retail works because nothing feels sealed off from use: tables are dressed, chairs are sat in and the whole place behaves more like a small Paris apartment than a showroom. Browse first, sit after, then check whether the lamp still bothers you.

Take the stairs above Copenhagen’s main shopping drag and Hay House still does the simple thing well. The Danish brand’s flagship sits on the second floor in central Copenhagen, with furniture, lighting, textiles, office things, kitchenware, colourful trays, clocks, vases and small objects laid out like a live catalogue that actually lets you touch things. It is more democratic than precious, which is the point: design for daily use, priced across moods and levels of commitment. The view over the city centre helps, but the useful danger is downstairs in the bags, because small Hay things multiply fast.

In Copenhagen’s Frederiksstaden district, the Helle Mardahl flagship store occupies the former home of a royal jeweller – an architecturally interesting setting now reimagined with whimsical precision. Designed by Mardahl herself in collaboration with File Under Pop, the space retains its historic bones – ornate ceilings, elegant cabinetry – while setting the stage for her candy-hued glass creations. Pastel walls in pinks and creams, dusty blue curtains and soft linoleum flooring offer a counterpoint to the playful forms of her bonbon-shaped pendant lamps and syrupy vessels.

Copenhagen design shopping needs books too, not just vases and chairs. New Mags turns the coffee-table book into an interiors tool, with lifestyle books, magazines, art volumes, fashion titles, architecture books and visual culture stacked in a calm store and showroom designed by Norm Architects. The space makes the case for books as objects: heavy, graphic, useful for research and good at improving a room without asking for a new sofa. Go for Phaidon weight, obscure travel titles, design monographs and the kind of publication that makes a shelf look smarter than it deserves. Then keep browsing.

A towel is rarely a reason to reroute a day in Copenhagen, but Aiayu makes the soft stuff feel considered. The Danish brand is still fashion-adjacent, so treat the store as a home-textile stop rather than a pure interiors address: organic bedding, cotton and linen towels, throws, cushions and blankets sit beside clothes in the same material-first universe. The name comes from the Aymara language of Bolivia and means soul or spirit, a nod to the Bolivian women who knit for the brand. Go for natural fibres, muted colour and home pieces that do not shout sustainability at the door.

Illums Bolighus is the city’s big design department store, spread across three floors with furniture, lighting, kitchen equipment, tableware, interiors, fashion, children’s design and enough Scandinavian classics to make decision fatigue feel national. The building dates to 1941, with Kay Kørbing’s 1961 façade still giving the whole operation some civic weight. Use it as a fast edit of Danish, Scandinavian and international design in one place. Buy small if you must, but the real value is seeing how the canon sells itself.

Stilleben is where Copenhagen’s small-object habit looks most disciplined. Founded in 2002 by ceramic designers Ditte Reckweg and Jelena Schou Nordentoft, the central flagship shows the full Stilleben collection beside handmade ceramics, glassware, textiles, furniture, prints and one-off objects handpicked by the founders. This is not a random shelf of nice things. The pair have also designed for names such as Georg Jensen, Skagerak and Kähler, which explains the range: tableware, lamps, vases, cushions and prints with enough colour and craft to lift a room without turning it into a styling exercise.